
Back in the summer of
2007, Ken posted about
homework
software for students. In that post he mentioned a site/service called
Scribd. Created in the image of Web 2.0 publishing, Scribd is essentially an
archive into which authors may upload articles that they have written and want to make publicly available. At
first look, there doesn't seem to be any controversy in that. But
Aristotle said, "Nature abhors a vacuum,"
and into the serene and empty space of self-publication, controversy has naturally rushed. From an
announcement on the Scribd site posted
on March 30th:
"Yesterday, The Times of London
published an article claiming that various authors, including J.K. Rowling, were “fighting” Scribd over copyrighted
material on our site. Unfortunately, the Times’ article was misleading and included factual errors that must be
corrected."
Maybe Ms Rowling
doesn't
want to share the same publishing space as pikers like
me, but
apparently some
others
don't mind as much:
"Online document sharing site Scribd
has
announced that it has partnered with a number of major publishers, including Random House, Simon & Schuster, Workman
Publishing Co., Berrett-Koehler, Thomas Nelson, and Manning Publications, to legally offer some of their content to
Scribd’s community free of charge. Publishers have begun to add an array of content to Scribd’s library, including
full-length novels as well as briefer teaser excerpts."
Of course, for the commercial publishing enterprises, the battle for publishing rights and sites comes down to their
business model and their bottom line, but there is an underlying agita about shanghaied content that
affects other content producers, too. I won't publish the links, here, but on several occasions, Ken has found
Serendiity35 content, taken verbatim with no attribution, on pseudo-blog sites that do nothing but list content to lure
browsers to their advertising spam sites. The (admittedly un-enforcable) license under which we publish
Serendipity35 content is Creative Commons Share Alike
--that license precludes any commercial redistribution of content.
There is a new model for online content and
online publishing in the works, but it is not likely to be defined by existing precedents or the notion of ownership.
What that model may turn out to be might look more like the law of the Wild West (it already does to a degree)
than a codified set of principles, but it will almost certainly be something that redefines or eliminates what we think
of as copyright, today.